2011 – 09 Pasquier Bronze Seal Found – September

We will be releasing a series of Artifact Reports on significant artifacts found over the years to build our new Artifact Report Archive. We will post links to the articles here on the Latest News page too, as they become available.

Pasquier Bronze Seal Found
September 2011

Artifact Tag #90410

By James J. Sinclair, Project Archaeologist

In September 2011 Captain Andy Matroci and the crew of the J.B. Magruder were continuing to develop an area on the northern end of the Northwest artifact scatter trail of the Nuestra Senora de Atocha, 1622. This same area has produced some intriguing finds over the past months including an emerald ring that has been evaluated at over 1 million dollars and a gold rosary of unique design. While these artifacts are fantastic, their importance is overshadowed by the find of a seemingly less valuable bronze seal.

Seals:
Bronze seals such as these were used by nobility, church and government functionaries for impressing designs onto official papers. Hot “sealing wax” would be applied to the document then the seal would be used to impress the image into the wax. It was, much as today, a way of ensuring the authenticity of the document.

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When looking at the seal at least two things need to be kept in mind, (1) This is a reverse image, in that once the seal is impressed in hot sealing wax the resultant image would be a mirror view of what can be seen on the seal, and (2) The seal is obviously an image of an heraldic coat of arms, usually associated with a noble family.

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A number of possibilities presented themselves. The most obvious was that this was the coat of arms of one of the wealthy passengers or officers on board the vessel, or that this was part of a package of goods belonging to a person of importance in the New World who had died and the important effects were being sent back to his family in Spain (a not unusual occurrence).

Starting with the theory encapsulated in what has become known as “Occam’s Razor” i.e. that the simplest explanation is usually the most correct. We collaborated with Corey Malcolm the archaeologist of the Mel fisher Maritime Heritage Society.  These good folks help to keep the collection of research on the Atocha intact for future generations. He was kind enough to send the list of those lost aboard the galleons Atocha and Margarita, gleaned from contemporary sources.

We contacted various experts in the Heraldry of that period and we were thrilled with the news that came back. The Coat of Arms belonged to Don Pedro Pasquier de Esparza, Almirante of the 1622 Tierra Firma Fleet.

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The name Pasquier is of French origin, Don Pedro comes from a very old and noble family of Tudela, (Navarra). One needs to keep in mind that boarders and allegiances were a changeable situation then as they are now. We know that the family was living there since the middle Ages.  In the middle of the XVI century there were several Pasquier’s in Navarra and almost surely they were his relatives. In 1617, Don Pedro Pasquier de Esparza received the title of Caballero de la Orden de Calatrava, an order of military knighthood where they mentioned his grandfather’s names. By 1621, the King most likely made a Royal Decree appointing him as the “Almirante” of the Tierra Firme Fleet of 1622. In September of that year, Don Pedro and the other 264 people on board the Atocha sailed to their fate. Nearly 400 years later we have been able to research the various complexities of Spanish heraldry and we have switched the image and added the correct colors to fully appreciate the Coat of Arms of Don Pedro Pasquire de Esparza Admiral of the 1622 Tierra Firma Fleet.

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By James J. Sinclair, Project Archaeologist

2011 – 03 Gold Rosary Medallion found March 3, 2011

Gold Rosary Medallion found March 3, 2011
By James Sinclair

Governer

Here we are in the first six months of 2011 and the efforts of the dedicated crews of Mel Fishers Treasures have produced some amazing finds and perhaps the first tantalizing clues to even bigger finds to come.

In March of 2011 at the northern end of the Atocha site, Capt. Andy Matroci and his crew on the J.B. Magruder found a cluster of treasure that was extremely unique. First and foremost was a gold rosary with a cross inlayed with wood and enameled. The cross was inscribed with a Latin based motto that has been a bit of a challenge to decipher.

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When the Spanish came to the New World to explore, conquer and exploit for the King, for the church, and for themselves, they brought little in the way of personal possessions. They could not read, most could not write and had to – by force – travel lightly, what they could carry with them were the comforts of their Church and religion. The parables and stories of the Saints lives they had heard since childhood would have offered a comfort that cannot be downplayed. This was perhaps the most important possession a Spaniard carried with them into the New World – the strength of their religious beliefs.

Most conquistadores, colonists and converted indigenous peoples would have carried some talismans of their faith, crosses, rosaries, medallions and small lockets containing either religious imagery or articles directly associated with a favorite saint.

The Cross:

As can be seen, the front of the cross is inset with wood. Such crosses were not uncommon during this time period, in fact some of the wood used in such crosses were thought to be wood from the “true cross”, or the original cross that Jesus Christ was martyred upon. During the Middle Ages and beyond, there was a sort of cottage industry that cropped up around relics of religious icons – especially those thought to belong to the story of Christ itself. Whether or not the current example was one of those is impossible to say. The wooden upright and the crosspiece of the cross all have small gold ornaments representing the three nails used to crucify Christ.

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The reverse of the cross shows geometric designs along both the upright and the crosspieces that bear traces of enameling.

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The real intriguing aspect of the cross comes when viewed from the sides, around the side is an inscription in Latin which reads running from the left top of upright along the left crosspiece around to the right had side and returning to the top, (X OS NON COMMI NVETIS EXOS X). Much speculation and research has gone into this with no firm answers; however the best translation we have now is “NOT A BONE OF HIM SHALL BE BROKEN.”  This is from the New Testament of the Holy Bible (John 19:36) and is one of the signs from earlier scripture that were fulfilled and proved that Jesus was the prophesized messiah.

The Cross is attached to the chain of a rosary, the beads of which are absent with a single existing ebony example.

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History of the Rosary:

Many religions use prayer beads as an aid to prayer. These beads help focus the mind to meditate on the divine presence, while the almost subconscious pattern of repetition on the beads keeps one from external distraction.

The Holy Rosary as used in Catholicism, is closely associated with Saint Dominic de Guzmán (1170-1221 A.D.), the Spaniard who founded the Order of Preachers, better known as the Dominicans. From the fifteenth century forward the Dominicans were the foremost promoters of the Rosary. Recent scholarship suggests, however, that the first groups to combine the repetition of the Hail Mary with the contemplation of Mysteries were other religious orders in Prussia around 1300 A.D.

Over the next 250 years the devotion spread across Europe, reaching the laity via voluntary confraternities and rosary picture-books. There were numerous competing versions, advocating as few as five Mysteries and as many as 200. The matter was not settled until 1569. In that year St. Pope Pius V, himself a Dominican, issued an apostolic letter establishing the fifteen-Mystery form of the Holy Rosary as the official, Church-authorized version. This was the format in use for the next four centuries. In the year 2002, Pope John Paul II published an apostolic letter that added five more Mysteries, making a total of twenty authorized Mysteries.

The Church celebrates the feast of Our Lady of the Rosary on October 7. This commemorates the day in 1571 when Christian forces defeated the Turkish (Moslem) fleet in a sea battle at Lepanto, off the western coast of Greece. St. Pope Pius V had asked all Christians to pray the Rosary for victory.

Using the rosary:

  • While holding the crucifix make the Sign of the Cross and then recite the Apostles Creed.
  • Recite the Our Father on the first large bead.
  • On each of the three small beads recite a Hail Mary for an increase of faith, hope and charity.
  • Recite the Glory Be to the Father on the next large bead.
  • Recall the first Rosary Mystery and recite the Our Father on the next large bead. The Joyful Mysteries are meditated on Monday and Saturday, Sundays of Advent and after Epiphany until Lent. The Sorrowful Mysteries are meditated on Tuesday and Friday, and Sundays in Lent. The Glorious Mysteries are meditated on Wednesday and Sunday. The Luminous Mysteries are meditated on Thursday.
  • On each of the adjacent ten small beads (also referred to as a decade) recite a Hail Mary while reflecting on the mystery.
  • On the next large bead, recite the Glory Be to the Father. The Fatima decade prayer may also be said.
  • Each succeeding decade is prayed in a similar manner by recalling the appropriate mystery, reciting the Our Father, ten Hail Mary’s, the Glory Be to the Father, and the Fatima decade prayer (optional) while reflecting on the mystery.
  • When the fifth mystery is completed, the Rosary is customarily concluded with the Hail, Holy Queen.

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It is most unfortunate that the wooden beads that were part of this rosary are now gone, however such is the nature of the sea: man-made objects do not survive well in the ocean environment. However there is attached to the chain a religious medallion with interesting inscriptions.

On this lovely Gold Medallion are religious messages that appear on both sides one shows the Holy Eucharist (the Host) surmounting the chalice (holy grail). Both of which are used in the communion ritual of Catholicism wherein the partaking of the bread (the wafer/Eucharist/ Host) and the drinking of the wine from the grail are “transubstantiated” to the blood and the body of Christ. Around the center symbol are the words in Spanish (ALABADO SEA EL SANTISIMO SACRAMENTO) Or “Praise the Blessed Sacrament”.

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This follows the depiction on the opposite side of the medallion which is the “Virgin of Guadalupe.” While some of the writing is obscured we can assume that it follows other objects with similar imagery closely.

In this case the writing is in Spanish and reads (SIN PECADO ORIGINAL) or “Without Original Sin”. At this juncture within the Catholic Church there was a movement to recognize Mary the Mother of God as having been born without original sin (it is believed by Catholics that this sin was accrued by Eve in the Garden of Eden and handed down to all humans). The Marian movement was gaining credence throughout the Catholic World but it was still a contested issue. This medallion shows that the owner believed and supported this doctrine.

Our Lady of Guadalupe is one of the first “miraculous” images from the New World.  It is an interesting story regarding the miraculous appearance of Mary to a Mexican native (Juan Diego), who in  1531 saw a vision of a young girl of fifteen or sixteen, surrounded by light, on the slopes of the Hill of Tepeyac. Speaking in the local language, Nahuatl, the Lady asked for a church to be built at that site in her honor, and from her words Juan Diego recognized her as the Virgin Mary. Diego told his story to the Spanish Archbishop, Fray Juan de Zumárraga, who instructed him to return and ask the Lady for a miraculous sign to prove her claim. The Virgin told Juan Diego to gather some flowers from the top of Tepeyac Hill. It was winter and no flowers bloomed, but on the hilltop Diego found flowers of every sort, and the Virgin herself arranged them in his tilma, or peasant cloak. When Juan Diego opened the cloak before Zumárraga on December 12, the flowers fell to the floor, and in their place was the Virgin of Guadalupe, miraculously imprinted on the fabric. The image is supposedly responsible for many miracles. (Wikipedia, 2011)

The Rosary and the Cross represents a wonderful connection to the religion of one of the important people aboard the Nuestra Senora de Atocha, it is indeed a spectacular object.

The Author would like to thank Ms. Connie Schniedman for the fantastic time and effort she contributed to our research without the good work of folks like Connie we would indeed be poorer in our understanding.

2008 – 01 Santa Margarita Gold “Bernegal” PART 1

Santa Margarita Gold “Bernegal”
Found June 25th, 2008

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Bernegals (Drinking Vessels)

Bernegals were drinking vessels that were popular in Hispanic society in the 17th century ours is a footed example and may indeed be a match for the wonderful footed plate or “salver” that was found in 1980 and is on display in the Mel fisher Maritime Heritage Society.

chalice4Gold Salver from Santa Margarita, 1980

chalice3Still Life with Silver-gilt Salvers
Juan Bautista de Espinosa, 1624
The Hilmar Reksten Art Foundation, Bergen

The set of Salver and Bernegal are offshoots of the medieval convention of royalty worrying about their safety. The salver was used by the head server in a royal household to test drinks and food to assure that the master of the household was not about to be poisoned, or as the Spanish at the time termed it “salvo de toda traición y enagaño” or “safe from all treachery and deceit”. In fact from the sister ship of the Margarita the Nuestra Senora de Atocha we found a bernegal that had inside a cage inside to hold a “Bezoar stone” Which was used to ward off poison also. However the salver to the Atocha example has yet to be found- another fine target to be on the lookout for on these wonderful wrecks! These salvers and drinking vessels or bernegals became very popular in the seventeenth century

Comparing the two pieces the design similarity can be readily seen.

chalice4Salver from the Margarita

chalice5Design on the Margarita bernegal

Golden Chalice15_CRSanta Margarita Bernegal

The Bernegal itself has the following specifications:

Artifact #73283- Gold Cup (Bernegal)
Pre-Conservation weight 641.0
Post-Conservation Weight- 598.1

Cup Diameter
Length -162 mm
Width -96 mm

Note: Cup is not round. It had been partially compressed during initial wrecking process.

Cup Height – 65 mm
Cup (+) Base Height (Total) – 85 mm

Base Dimensions
Height – 20 mm
Diameter – 69 mm

Ornate Handles
Width – 7 mm
Height – 46 mm
Crest Diameter – 40 mm

Notes:
2 Tax Stamps
Base screws off

Technical Description:

Executed in the “bocado style” (this style is characterized by an undulating divided in to vertical lobes) it has a lobed everted-circular form, having a wide conforming border chased with a stylized scrollwork design. Foliate ornaments have been interpreted geometrically into two C’s on each lobe resembling blossoms. In the angles between the scrollwork garlands with little flowers and fruits dangle and intersect this appears above eight deeply-conforming lobes, the interior having a family crest or heraldic symbol, scroll form handles surmounted by raised nodules, cup sits on a molded spool foot. Traces of two stamps are visible on the base.

The cup bears some resemblance to the “Poison Cup” of the Nuestra Senora de Atocha, 1622, in that it has two handles, is decorative, footed and made of gold.

chalice6Gold Poison Cup (bernegal) Atocha,1622

The interior of the Santa Margarita cup is markedly different from that of that Atocha example. The interior base of the cup is surmounted by what appears to be a family crest or heraldic symbol.

Golden Chalice5_CRInterior design of Santa Margarita Cup

This wonderful design is currently under research by Eugene Lyon, PhD and associates in Spain who are very hopeful of identifying a family associated with this design and to whom aboard the
Santa Margarita this magnificent object once belonged.

2008 – 01 Santa Margarita Gold “Bernegal” PART 2

Golden Vessel of the Santa Margarita

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Researched by Brooks Barnes and Carol Tedesco
Prepared and Presented by Carol Tedesco

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In June of 2008, Blue Water Ventures- contractors for Mel Fisher’s Treasures- discovered an exquisite and exceedingly rare high karat gold drinking vessel on the widely scattered Santa Margarita shipwreck site.

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An ornately engraved bowl arises from a threaded base into eight lobes, with two beaded “question mark” handles. The artifact- called a bernegal by the Spanish- features a coat of arms engraved into the interior center, and while some promising clues to the arms’ identity have surfaced, its definitive provenience remains a mystery.

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In 1907, Leonard Williams published The Arts and Crafts of Older Spain, with 24 parts, or chapters, devoted to Gold, Silver, And Jewel Work. Following is an excerpt from his volumes that gives a contemporaneous example of arms impressed on precious items:

Golden Chalice5_CRSanta Margarita Chalice Arms

Quantities of jewelry and plate belonged to every noble household. For instance, the testament of the Countess of Castaneda (a.d. 1443) includes the mention of “a gilded cup and cover to the same; a silver vessel and its lid, the edges gilt and in the centre of both lid and vessel the arms of the said count, my lord…”

Chalice Research and Summary Points

There is no chronicle of all the arms that have ever existed. As Heraldry expert Willem Vandenberg (of blazonsearch.com) pointed out, even Rietstap’s Armorial Général does not contain all of the arms that ever existed in Europe.

  • Arms can represent families, but can also represent cities, towns and guilds.
  • The chalice arms are family arms because of the presence of a helm- or helmet- at the top center.
  • The helm above the shield is used to indicate the rank of the bearer. The style of helm above the chalice arms may indicate a “peer” i.e. Duke, Marques, Earl, Viscount or Baron.
  • Arms features may change over time via marriages/unions, etc.
  • The top two quadrants of the chalice depict lions and castles such as those found on the Hapsburg shield, but positioned oppositely than those of the Spanish empire’s ruling family – though as the 16th century illustration below exhibits, such reversals may not have been an entirely uncommon rendering.

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Golden Chalice9Hapsburg Shield

The chalice itself may have originated in the Old World. However, the engraving of the arms looks “naïve” in comparison to the bernegal and may suggest that they were added at a later time, in the New World, by a New World artisan unfamiliar with heraldry.

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  • Claudia Costanzo, a cultural resource specialist/artist from Madrid, said her impression was that the bernegal was perhaps European made, the arms added at a later time in the Americas.
  • An indigenous New World artisan, unfamiliar with heraldry, might easily take artistic liberties with the design.
  • Heraldry expert Willem Vandenberg wrote of the chalice arms: IT does not appear that the engraver was familiar with heraldry or much concerned with accuracy, and although the fourth panel appears to show hatching, it doesn’t follow any of the color conventions used in the world of heraldry…He also wrote: As far as Spanish heraldry and the engraved arms are concerned I can tell you this. The border with 8 crosses does not make things easier. In Spanish heraldry this is very, very common…

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  • The animals in the 4th field of the bernegal may be harts/ stags or even possibly wolves.
  • Wheels are not common on coats of arms. The few examples of arms with wheels that researcher Brooks Barnes has been able to locate are spoked wheels. The wheels in the 3rd field of the bernegal- which Barnes describes as being “peasant style wooden cart wheels”- do not resemble any we have found in heraldic references to date.
  • It has also been suggested that the wheels may represent cannon carrier wheels.
  • On account of the inclusion of the two animals and the circular objects, one researcher suggested that the shield was associated with the ancient Castro family. However, the circular objects on the chalice arms are most certainly a type of wheel, and research into the Castro family history revealed that the circular objects on the Castro arms represent coins.

The family name of Carrillo is one that is associated with the symbol of the wheel:

Excerpted from House of Carrillo from Wikipedia: The House of Carrillo is a Spanish noble house that traces its origins from the ancient Kingdom of Castile. There are several branches that exist such as Carrillo de Albornoz, Carrillo de Mendoza, Carrillo de Figeroa, Carrillo de Toledo and Carrillo Tablas among others. There are also several variations in spelling of the surname Carrillo such as “Carillo.” Records prove that both surnames are one and the same.

The word carillo is used in Spanish to refer to any “small cart.” It has been derived from the word carril, which means a cart, cartway, a narrow road or rail.

Excerpt Continued:

There is another account of folklore, which is not entirely corroborated by historical evidence, but has basis in historical literature. The account states that at the time of Count Fernán González of Castile, there were two brothers that were so loyal to each other, they never left each other’s side. The brothers were of royal blood, and were always seen traveling together. Eventually, the people began to make reference to them, comparing them to “”two wheels on a cart” (which in most dictionaries of today, has come to define Carrillo- a small cart, or wheels of a cart). The legendary brothers were supposed cousins of Berengar I, King of Italy and descendants of Louis the Pious and Charlemagne. It is said the brothers accidentally killed a favorite courtier of their King which forced them to flee into hiding to avoid the King’s rage…The brothers eventually arrived in Spain after being placed under the protection of Count Fernán González of Castile.

The name Cervantes has also been a contender in the investigation, if one assumes the animals in the forth quadrant to be stags. Leonel de Cervantes, a Comendador of the Order of Santiago (and a distant relative of Miguél de Cervantes Saavedra, author of Don Quixote de la Mancha), arrived in Cuba in 1519 and rode with Cortés in the conquest of México. For his service under Cortés, Cervantes was granted several encomiendas (Native American villages). Cervantes settled in New Spain (Mexico) with his wife, six daughters and one son. All of the daughters married nobility.

Brooks Barnes wrote: The small cadre of Spanish nobility of (New Spain), what would become Mexico, all knew each other and were all inter-related, if not directly then through marriages of cousins, uncles and the like. IT was a small society (only 506 men are known to have received encomienda grants from the crown) and many held shares in gold and silver mining operations.

In 2010 Barnes wrote…if Leonel had a coat of arms, he would have had his two stags on the left side, presumably juxtaposed with his wife’s (Leonor de Andrada y Lara). Barnes speculated that the chalice might have belonged to a 4th generation female descendant of Leonel.

In 2011 Barnes made a potential break-through when he discovered the arms of the Francisco Miguel de Salamanca family, a nearly 75% match.

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Francisco Miguel de Salamanca family arms

  • Barnes wrote: The coat of arms came from a book published in 1933 called Ledulario Heralico Conquistadores de Nuevo Espana, which describes Arms granted to the original Conquistadors by the King and Queen of Spain. Each shield is hand-drawn, but the book (completely in Spanish) did not note whether the drawings were by a contemporary 1933 artist based solely on the earlier textual descriptions, or were hand-drawn copies of illustrations that exist in the archives in Spain. All coats of arms in the book seem to have been drawn by one artist and absolutely none of the others (over 100 in all) were remotely similar to this one.

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Additional reference to the Salamanca name can be found on a web site devoted to the genealogy of Mexico at http://garyfelix.tripod.com/index5H.htm:

Spanish Arms unlike other European Arms were achieved through military actions and can be passed down through Maternal ancestors. The following 145 men received Coats* of Arms from the King of Spain between 1525 and 1589. Twenty two of these men were Native American Nobles and have the title “Don” preceding their names. All were cited for their personal sacrifice, and valor. These Arms were for their part in the Conquest of Mexico.

From the List of Those who Received Coats of Arms for the Conquest of Mexico:

Salamanca, Francisco Miguel de- Arms granted 25th of April, 1532. For 14 years of service under the Captains Juan de Grijalva, Panfilo Navaez and Gonzalo de Sandoval. He was involved in the conquest of many of the provinces of New Spain.

*Source of names: Garcia, Carlos M Dedulario Heraldico de Conquestadores de Nueva Espana.

Note also that one Juan de Salamanca rode with Cortez, with Arms granted 23 March, 1935. In The True History of the Conquest of New Spain, Bernal Diaz del Castillo (1498-1585) wrote: ”It was Juan de Salamanca who was following the Captain with the banner….(Salamanca) lanced him (Captain of the Indians) and took the rich plumed headdress he was wearing…” According to Castillo, His Majesty later gave the plume to Salamanca for his coat of arms, “his descendants have it on their armorial banners.”

Differences between the chalice arms and the Salamanca family arms:

  • The Salamanca arms bear an eagle above the helm.
  • The chalice lion is passant; the Salamanca lion is rampant and wields a sword.
  • The chalice arms have two wheels in the 3rd quadrant; the Salamanca arms display the double letters F within a coronet that might indicate a Duke or Marques.
  • The Salamanca arms display three flags on the castle battlements (per Brooks Barnes, these are described in the official Salamanca grant from the crown- “tres vanderas pardas”).
  • The animals on the chalice look more like stags or harts; the animals on the Salamanca arms are wolves (per BB, “lobos negros” in the official Salamanca grant.

Tedesco to Barnes: “Brother” in Latin is Frater. I wonder if the two F’s within a coronet could represent two noble brothers – and wouldn’t it be interesting if the chalice arms’ wheels were a metaphor for the two noble brothers of legend- as alike as two wheels on a cart.

Challenges:

  • Labyrinthal family lineages.
  • Arms that were generated in the New World may not have been recorded in European armorials.
  • With torrents of silver pouring from the mines of Peru and Mexico City, Spanish colonial America gave rise to a “silver nobility” described by historian/author Lesly Byrd Simpson as “complete with purchased titles and shaky coats of arms.” In his new book, Many Mexicos, Byrd Simpson wrote: Antonio Obregon spent a few thousand of the two hundred million pesos he had taken from La Velenciana mine … and became Conde de Valenciana. Jesus Salado went him one better and became Conde de Matehuala and Marqués de Guadiana. The Marqués de Aguayo, the Marqués de Vivanco, the Marqués de Jaral, and the Conde de Santiago were among the glittering dignities bought by the miners … together with the privilege of painting a crest on their carriages and having their ears titillated by a murmured ‘Senor Marqués’ or ‘Senor Conde.’

About Mexico City in 1625, Englishman Thomas Gage wrote, “Both men and women are excessive in their apparel… Precious stones and pearls further this their vain ostentation; a hat-band of pearls is common in a tradesman; nay, a blackamoor or tawny young maid and slave will make hard shift but she will be in fashion with her neck-chain and bracelets of pearls, and her earbobs of some considerable jewels…”

While gage may have exaggerated the wealth of the less privileged citizenry, nonetheless historian/author Peter Bakewell reports that, “The Spaniards took their wine from silver vessels…” and quoted, “in all Peru it is only the very moderate man who does not have silver tableware.” He writes of the dowry of doña Lorenza which included, (but was not limited to) “about a ton and a half of silver.”

Taking into consideration the bernegal engraver’s lack of attention to the conventions of heraldry it would not be altogether surprising if the chalice crest were indeed a representation of one of the “shaky coats of arms” spuriously purchased by one of the nouveau riche of the Americas, who likely would not have known better themselves.

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There is yet another complicating factor when attempting to attach a family name to the golden cup and the arms engraved within. According to historian Dr. Eugene Lyon, although the Santa Margarita was a Tierra Firme fleet ship, whose purpose was to transport Peruvian and South American treasures, while in Havana en route to Spain, Margarita received cargo from New Spain fleet ships. For example, Nuestra Senora de Candelaria from Honduras and Nuestra Senora de la Antigua of New Spain are known to have offloaded into Margarita.

According to historic research expert Jorge Proctor, while the manifest of the ship from which treasure was being transferred would have included a notation about the transferred cargo, the manifest of the receiving vessel would not have been changed or altered. And, while Dr. Lyon discovered the manifest for the Santa Margarita some years ago, no such documents for the off-loading vessels have yet been found.

A solution to the identity of the chalice arms may never be revealed, but in a way, its continued mystery strikes a poignant note in its captivating beauty. And who knows, someday a coat of arms in an old painting or a packet of ancient papers may at least provide a new chapter to its centuries old story.

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